Method--or Madness?: With an Introd. by Harold Clurman |
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Page 26
Number Two says , “ Action ; " Three - “ Truth of feeling or passion ( the
resemblance to Truth under the given circumstances ) . ” Four - “ The creation of
life , nature , or true feeling , with the help of conscious technique ( beats ) which
arouses ...
Number Two says , “ Action ; " Three - “ Truth of feeling or passion ( the
resemblance to Truth under the given circumstances ) . ” Four - “ The creation of
life , nature , or true feeling , with the help of conscious technique ( beats ) which
arouses ...
Page 63
But speech can be beautified , not destroyed , by true feeling ! What ' s more ,
there are many non - Method actors who mumble ; and I can also give you
examples of actors who do nothing inconsistent with Stanislavski ' s aims and
who , no ...
But speech can be beautified , not destroyed , by true feeling ! What ' s more ,
there are many non - Method actors who mumble ; and I can also give you
examples of actors who do nothing inconsistent with Stanislavski ' s aims and
who , no ...
Page 96
It was in an entirely different way , but I understand that feeling . I ' ve been faced
with a similar situation . ” I never asked her what it was . Her feeling was always
right at this point in the play . She deeply understood something comparable to ...
It was in an entirely different way , but I understand that feeling . I ' ve been faced
with a similar situation . ” I never asked her what it was . Her feeling was always
right at this point in the play . She deeply understood something comparable to ...
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Contents
INTRODUCTO man INTRODUCTION by Harold Clurman | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create dance dancer deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |