Method--or madness?: With an introd. by Harold Clurman |
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Page 26
Number Two says, "Action;" Three — "Truth of feeling or passion (the
resemblance to Truth under the given circumstances ) ."JFour — "The creation of
life, nature, or true feeling, with the help of conscious technique ( beats ) which
arouses the ...
Number Two says, "Action;" Three — "Truth of feeling or passion (the
resemblance to Truth under the given circumstances ) ."JFour — "The creation of
life, nature, or true feeling, with the help of conscious technique ( beats ) which
arouses the ...
Page 63
But speech can be beautified, not destroyed, by true feeling! What's more, there
are many non-Method actors who mumble; and I can also give you examples of
actors who do nothing inconsistent with Stanislavski's aims and who, no matter ...
But speech can be beautified, not destroyed, by true feeling! What's more, there
are many non-Method actors who mumble; and I can also give you examples of
actors who do nothing inconsistent with Stanislavski's aims and who, no matter ...
Page 96
It was in an entirely different way, but I understand that feeling. I've been faced
with a similar situation." I never asked her what it was. Her feeling was always
right at this point in the play. She deeply understood something comparable to
the ...
It was in an entirely different way, but I understand that feeling. I've been faced
with a similar situation." I never asked her what it was. Her feeling was always
right at this point in the play. She deeply understood something comparable to
the ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention Jeanne Eagels John Barrymore kind Laurette Taylor lecture listen look means meant ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |