Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 26
Number Two says , “ Action ; " Three— “ Truth of feeling or passion ( the resemblance to Truth under the given circumstances ) . ” Four— “ The creation of life , nature , or true feeling , with the help of conscious technique ( beats ) ...
Number Two says , “ Action ; " Three— “ Truth of feeling or passion ( the resemblance to Truth under the given circumstances ) . ” Four— “ The creation of life , nature , or true feeling , with the help of conscious technique ( beats ) ...
Page 63
But speech can be beautified , not destroyed , by true feeling ! What's more , there are many non - Method actors who mumble ; and I can also give you examples of actors who do nothing inconsistent with Stanislavski's aims and who ...
But speech can be beautified , not destroyed , by true feeling ! What's more , there are many non - Method actors who mumble ; and I can also give you examples of actors who do nothing inconsistent with Stanislavski's aims and who ...
Page 97
Then one day I read that Jouvet had also said , “ Be the character and feel his feelings , ” and suddenly the first ... that the actor should conceal his personal feeling and create the feeling needed by the author and the character .
Then one day I read that Jouvet had also said , “ Be the character and feel his feelings , ” and suddenly the first ... that the actor should conceal his personal feeling and create the feeling needed by the author and the character .
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole