Method--or madness?: With an introd. by Harold Clurman |
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Page 41
sence, he felt that while it is true that the proper psychological preparation for a
part will make for proper rhythm, he also felt that finding the suitable tempo-
rhythm of a character will lead you to feel correctly in the part, too. It is a double
process.
sence, he felt that while it is true that the proper psychological preparation for a
part will make for proper rhythm, he also felt that finding the suitable tempo-
rhythm of a character will lead you to feel correctly in the part, too. It is a double
process.
Page 73
I remember that she stood perfectly still on the stage the entire time; she didn't
gesture at all as she spoke about the various things she felt were important:
imagination, etc. At the very end, her closing remark was, "But above all, the most
...
I remember that she stood perfectly still on the stage the entire time; she didn't
gesture at all as she spoke about the various things she felt were important:
imagination, etc. At the very end, her closing remark was, "But above all, the most
...
Page 163
I felt it was wrong to condone the "indicated," unfortunately sometimes effective,
kind of acting people indulge in where they are simply imitating feeling; but it was
also wrong to call that kind of real, but personally-felt and inartistically expressed
...
I felt it was wrong to condone the "indicated," unfortunately sometimes effective,
kind of acting people indulge in where they are simply imitating feeling; but it was
also wrong to call that kind of real, but personally-felt and inartistically expressed
...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention Jeanne Eagels John Barrymore kind Laurette Taylor lecture listen look means meant ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |