Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 24
... finally determined me was , " Well , it's all published any- way , and there's nothing I'm going to say that isn't in the two books . " At least in this way I can have an oppor- tunity to take the elements apart a little for you . I ...
... finally determined me was , " Well , it's all published any- way , and there's nothing I'm going to say that isn't in the two books . " At least in this way I can have an oppor- tunity to take the elements apart a little for you . I ...
Page 77
... Finally I said , " I will fix this so you can't miss her . Now look , she will run toward you and on such and such a word she will jump . You don't have to worry about anything ; you don't have to think of a thing except that word . The ...
... Finally I said , " I will fix this so you can't miss her . Now look , she will run toward you and on such and such a word she will jump . You don't have to worry about anything ; you don't have to think of a thing except that word . The ...
Page 148
... finally is actually there , you'll be happy to see it if you have been using an imaginary one . If you have not been doing this , you are not apt to look out the real window and actually see . It is the same with every other element ...
... finally is actually there , you'll be happy to see it if you have been using an imaginary one . If you have not been doing this , you are not apt to look out the real window and actually see . It is the same with every other element ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words