Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 77
He dropped her -every timel Finally I said , “ I will fix this so you can't miss her . Now look , she will run toward you and on such and such a word she will jump . You don't have to worry about anything ; you don't have to think of a ...
He dropped her -every timel Finally I said , “ I will fix this so you can't miss her . Now look , she will run toward you and on such and such a word she will jump . You don't have to worry about anything ; you don't have to think of a ...
Page 148
When the window finally is actually there , you'll be happy to see it if you have been using an imaginary one . . If you have not been doing this , you are not apt to look out the real window and actually see .
When the window finally is actually there , you'll be happy to see it if you have been using an imaginary one . . If you have not been doing this , you are not apt to look out the real window and actually see .
Page 151
Then finally , the audience in New Haven , or wherever . The audience , too , makes other little changes . Certain things you were doing which you thought were perfectly clear are not clear to the public . In other things you find the ...
Then finally , the audience in New Haven , or wherever . The audience , too , makes other little changes . Certain things you were doing which you thought were perfectly clear are not clear to the public . In other things you find the ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole