Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 30
... girl . It is explicit in the line and that is what is intended to be conveyed . But it is also possible that something quite different is intended by those words . You might hear one character sneer the words , " I love you . " It's ...
... girl . It is explicit in the line and that is what is intended to be conveyed . But it is also possible that something quite different is intended by those words . You might hear one character sneer the words , " I love you . " It's ...
Page 118
... girl of fine proportions with blond hair and a cute curl in her upper lip . She is dressed in a fine spring frock which she wears with a jaunty air . " So you find a girl like that and give her the part because she answers the ...
... girl of fine proportions with blond hair and a cute curl in her upper lip . She is dressed in a fine spring frock which she wears with a jaunty air . " So you find a girl like that and give her the part because she answers the ...
Page 119
... girl ! " And when she had the scene with the minister who spoke in religious platitudes , you said , " He shouldn't be talking way to this lovely girl ! " I've seen that play many times since and they have always cast a girl who , when ...
... girl ! " And when she had the scene with the minister who spoke in religious platitudes , you said , " He shouldn't be talking way to this lovely girl ! " I've seen that play many times since and they have always cast a girl who , when ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words