Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
From inside the book
Results 1-3 of 17
Page 26
Number Two says , “ Action ; " Three— “ Truth of feeling or passion ( the resemblance to Truth under the given circumstances ) . ” Four— “ The creation of life , nature , or true feeling , with the help of conscious technique ( beats ) ...
Number Two says , “ Action ; " Three— “ Truth of feeling or passion ( the resemblance to Truth under the given circumstances ) . ” Four— “ The creation of life , nature , or true feeling , with the help of conscious technique ( beats ) ...
Page 32
In reply to an inquiry from an author , Pushkin wrote , “ The truth of passion , the verisimilitude of feeling , placed in the given circumstances , that is what our reason demands of a writer or of a dramatic poet .
In reply to an inquiry from an author , Pushkin wrote , “ The truth of passion , the verisimilitude of feeling , placed in the given circumstances , that is what our reason demands of a writer or of a dramatic poet .
Page 98
The truth of passion , the verisimilitude of feeling , placed in the given circumstances , that is what our reason demands of a writer or of a dramatic poet . ” Now the phrase I wish to extract momentarily from that statement for you is ...
The truth of passion , the verisimilitude of feeling , placed in the given circumstances , that is what our reason demands of a writer or of a dramatic poet . ” Now the phrase I wish to extract momentarily from that statement for you is ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole