Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 26
... given circumstances ) . " Four- " The crea- tion of life , nature , or true feeling , with the help of con- scious technique ( beats ) which arouses the subconscious ; " Five " The creation on the stage of the life of our Soul ( this is ...
... given circumstances ) . " Four- " The crea- tion of life , nature , or true feeling , with the help of con- scious technique ( beats ) which arouses the subconscious ; " Five " The creation on the stage of the life of our Soul ( this is ...
Page 32
... Given circumstances . " Well that sounds pretty forbidding . Actually it's a term that was also used by Pushkin . In reply to an inquiry from an author , Pushkin wrote , “ The truth of passion , the verisimilitude of feeling , placed in ...
... Given circumstances . " Well that sounds pretty forbidding . Actually it's a term that was also used by Pushkin . In reply to an inquiry from an author , Pushkin wrote , “ The truth of passion , the verisimilitude of feeling , placed in ...
Page 98
... given circumstances , that is what our reason de- mands of a writer or of a dramatic poet . " Now the phrase I wish to extract momentarily from that statement for you is , " placed in the given circumstances . " Given circum- stances do ...
... given circumstances , that is what our reason de- mands of a writer or of a dramatic poet . " Now the phrase I wish to extract momentarily from that statement for you is , " placed in the given circumstances . " Given circum- stances do ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words