Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 24
I've thought it over very carefully , several times resolving to skip this evening entirely , and I've decided it is the only way to keep what I'm going to say in all these eight talks from once again becoming general or , worse ...
I've thought it over very carefully , several times resolving to skip this evening entirely , and I've decided it is the only way to keep what I'm going to say in all these eight talks from once again becoming general or , worse ...
Page 96
I knew it was going to be a difficult moment for the actress because it just so happened that there was not much preparation for it in the scene . I said to her , “ I don't know what you are going to do in this moment .
I knew it was going to be a difficult moment for the actress because it just so happened that there was not much preparation for it in the scene . I said to her , “ I don't know what you are going to do in this moment .
Page 145
The director should stop periodically and point out from these clues the direction your part is going to take . Now it is the time for you to find out something specific about your part . After you've gone through it this way , having ...
The director should stop periodically and point out from these clues the direction your part is going to take . Now it is the time for you to find out something specific about your part . After you've gone through it this way , having ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole