Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 39
The hand to the head for an “ Oh , my Lord ! ” line , or the biting of the back of the hand for “ terror , " etc. , are obvious physical clichés ; our theatre is riddled with them . We have almost as many conventions as the Oriental ...
The hand to the head for an “ Oh , my Lord ! ” line , or the biting of the back of the hand for “ terror , " etc. , are obvious physical clichés ; our theatre is riddled with them . We have almost as many conventions as the Oriental ...
Page 71
Written down there , in Stanislavski's hand , it says , “ Great animation bordering on joy . ” Now how unStanislavski can you get ! Also , it is full of remarks such as , “ pause of anxiety . ” What would lead a purist quicker to ...
Written down there , in Stanislavski's hand , it says , “ Great animation bordering on joy . ” Now how unStanislavski can you get ! Also , it is full of remarks such as , “ pause of anxiety . ” What would lead a purist quicker to ...
Page 165
On the other hand , I would like those who call any attempt at theatricality phony , to study their own outsides and find out if their acting instrument ( including speech , gesture , movement , appearance , stage charm , personality ...
On the other hand , I would like those who call any attempt at theatricality phony , to study their own outsides and find out if their acting instrument ( including speech , gesture , movement , appearance , stage charm , personality ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole