Method--or Madness?: With an Introd. by Harold Clurman |
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Page 4
Then again I hear , “ The Method is a curse , it is ruining the theatre . ” Yet I know
of great actors who , I feel , are doing nothing that is incompatible with what I
understand the Method to be . I hear , further , that the Method is limiting — useful
...
Then again I hear , “ The Method is a curse , it is ruining the theatre . ” Yet I know
of great actors who , I feel , are doing nothing that is incompatible with what I
understand the Method to be . I hear , further , that the Method is limiting — useful
...
Page 63
stage rehearsing but Stanislavski couldn ' t hear anything . So he got up from the
seat and moved halfway down in the house and he still couldn ' t hear anything .
Finally annoyed , he got right down in the front with the director who recognized ...
stage rehearsing but Stanislavski couldn ' t hear anything . So he got up from the
seat and moved halfway down in the house and he still couldn ' t hear anything .
Finally annoyed , he got right down in the front with the director who recognized ...
Page 142
Also , the actors are much more apt to hear the entire play in a relaxed way if
somebody reads it to them ; more so than when they are tense about their first
reading — and tense they usually are the first time . They wait for their particular ...
Also , the actors are much more apt to hear the entire play in a relaxed way if
somebody reads it to them ; more so than when they are tense about their first
reading — and tense they usually are the first time . They wait for their particular ...
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Contents
INTRODUCTO man INTRODUCTION by Harold Clurman | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create dance dancer deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |