Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 142
... idea to try to feel when you're not yet prepared for it . Also , it is not a good idea to leap right off the bat at some characterization just because it seems to you to be indi- cated . A character may seem to be " a flighty girl " and ...
... idea to try to feel when you're not yet prepared for it . Also , it is not a good idea to leap right off the bat at some characterization just because it seems to you to be indi- cated . A character may seem to be " a flighty girl " and ...
Page 143
... idea to the partner you are addressing . Since it is only your second rehearsal it is perfectly true that you don't know all the ideas of the play yet . Some may leap out of the page at you and be perfectly clear , others may elude you ...
... idea to the partner you are addressing . Since it is only your second rehearsal it is perfectly true that you don't know all the ideas of the play yet . Some may leap out of the page at you and be perfectly clear , others may elude you ...
Page 145
... idea in his mind as ng to execute all the production ideas , he'd e them too positively . What should be hort production talk and what you now o own in your part is what the theme of the _nd what the theme of each part in the play to ...
... idea in his mind as ng to execute all the production ideas , he'd e them too positively . What should be hort production talk and what you now o own in your part is what the theme of the _nd what the theme of each part in the play to ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words