Method--or madness?: With an introd. by Harold Clurman |
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Page 30
Action (or Intention) means what really is happening on the stage, regardless of
what you are saying. It is, in a sense, your reason for being in the scene. We
know that in a play, especially a good play, as in life, one does not always mean
...
Action (or Intention) means what really is happening on the stage, regardless of
what you are saying. It is, in a sense, your reason for being in the scene. We
know that in a play, especially a good play, as in life, one does not always mean
...
Page 33
"Beats" — Number Fourteen — what that means, quite ' simply, is the distance
from the beginning to the end of an (u>iits) / intention. Your wish "to let him know
you always suspected him" (your intention) might start with the line, "I knew you
did ...
"Beats" — Number Fourteen — what that means, quite ' simply, is the distance
from the beginning to the end of an (u>iits) / intention. Your wish "to let him know
you always suspected him" (your intention) might start with the line, "I knew you
did ...
Page 146
I don't care by what term you call those thoughts, or intentions, but you should
write them down in some definite way. You should know exactly where each
section begins and ends. For example, on this specific line you first realize she
may be ...
I don't care by what term you call those thoughts, or intentions, but you should
write them down in some definite way. You should know exactly where each
section begins and ends. For example, on this specific line you first realize she
may be ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention Jeanne Eagels John Barrymore kind Laurette Taylor lecture listen look means meant ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |