Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 16
That's all I'm going to tell you about it - we're mixed up enough already ! However , Brecht's company has only recently made a wonderfully interesting impression , using the theories of Mr. Brecht , in their season in London .
That's all I'm going to tell you about it - we're mixed up enough already ! However , Brecht's company has only recently made a wonderfully interesting impression , using the theories of Mr. Brecht , in their season in London .
Page 31
... you may very well feel fine yourself , you may very well prove you can make a lot of interesting , although irrelevant , movements , you may get over the idea that where the author had written one “ you , " you said four , and you ...
... you may very well feel fine yourself , you may very well prove you can make a lot of interesting , although irrelevant , movements , you may get over the idea that where the author had written one “ you , " you said four , and you ...
Page 45
... thing down into the various joints of the body , and so on . Well , it begins to get a little technical but , if you've seen some of the posturing and false ways of walking some actors fall > > into , you can see it is interesting 45.
... thing down into the various joints of the body , and so on . Well , it begins to get a little technical but , if you've seen some of the posturing and false ways of walking some actors fall > > into , you can see it is interesting 45.
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole