Method--or Madness?: With an Introd. by Harold Clurman |
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Page 98
... find its counterpart in the performance , etc . We might try to define for
ourselves some approaches to truth in acting : One : the kind of “ indicated ” truth ,
the imitation of feeling , the falsely - effective acting that just needs nerve to
accomplish .
... find its counterpart in the performance , etc . We might try to define for
ourselves some approaches to truth in acting : One : the kind of “ indicated ” truth ,
the imitation of feeling , the falsely - effective acting that just needs nerve to
accomplish .
Page 131
It is just like Shakespeare , who gives you the proper kind of words to say , if you
play it right ; he knows , through having been an actor , where you can speak fully
and at length , as well as where you should be too moved to be able to speak ...
It is just like Shakespeare , who gives you the proper kind of words to say , if you
play it right ; he knows , through having been an actor , where you can speak fully
and at length , as well as where you should be too moved to be able to speak ...
Page 163
I felt it was wrong to condone the " indicated , ” unfortunately sometimes effective ,
kind of acting people indulge in where they are simply imitating feeling ; but it
was also wrong to call that kind of real , but personally - felt and inartistically ...
I felt it was wrong to condone the " indicated , ” unfortunately sometimes effective ,
kind of acting people indulge in where they are simply imitating feeling ; but it
was also wrong to call that kind of real , but personally - felt and inartistically ...
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Contents
INTRODUCTO man INTRODUCTION by Harold Clurman | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create dance dancer deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |