Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
From inside the book
Results 1-3 of 17
Page 18
... Look , it's a long run , and I just have to give one bad performance a week . " Well , that was the one he knew of ! ) Now I have found that a lot of these " naturals " have the most extensive technique for effects , if not for stirring ...
... Look , it's a long run , and I just have to give one bad performance a week . " Well , that was the one he knew of ! ) Now I have found that a lot of these " naturals " have the most extensive technique for effects , if not for stirring ...
Page 133
... look at her . They both held perfectly still , wondering about each other and trying to figure out what to do next - that is what that long , low , held note was . Then she broke away and I had her cross behind him around the back of a ...
... look at her . They both held perfectly still , wondering about each other and trying to figure out what to do next - that is what that long , low , held note was . Then she broke away and I had her cross behind him around the back of a ...
Page 148
... look out of a window , find out where it is going to be and really look out of the imaginary one . When the window finally is actually there , you'll be happy to see it if you have been using an imaginary one . If you have not been ...
... look out of a window , find out where it is going to be and really look out of the imaginary one . When the window finally is actually there , you'll be happy to see it if you have been using an imaginary one . If you have not been ...
Other editions - View all
Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words