Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
From inside the book
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Page 30
... meant and all that is meant : that I , this man , love you , this girl . It is explicit in the line and that is what is intended to be conveyed . But it is also possible that something quite different is intended by those words . You ...
... meant and all that is meant : that I , this man , love you , this girl . It is explicit in the line and that is what is intended to be conveyed . But it is also possible that something quite different is intended by those words . You ...
Page 40
... meant by " The fluid of the exchange of emotion . " If you have ever been playing in a scene with an actor and the emotion has started to grow between the two of you and you have been able to sense it , measure it , and share it with ...
... meant by " The fluid of the exchange of emotion . " If you have ever been playing in a scene with an actor and the emotion has started to grow between the two of you and you have been able to sense it , measure it , and share it with ...
Page 98
... meant : given all the circumstances of the particular play - which might be , for example , that the characters do not live in the Bronx , they live in 17th Century France ; that the author of the play has written it in a certain style ...
... meant : given all the circumstances of the particular play - which might be , for example , that the characters do not live in the Bronx , they live in 17th Century France ; that the author of the play has written it in a certain style ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words