Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 30
Of course it is perfectly possible that you can mean exactly what you say : one character may say to another , “ I love you , ” and that may be exactly what is meant and all that is meant : that I , this you , this girl .
Of course it is perfectly possible that you can mean exactly what you say : one character may say to another , “ I love you , ” and that may be exactly what is meant and all that is meant : that I , this you , this girl .
Page 38
The next item , Twenty - two , is a little subtle to go into here , but I think you actors will understand what is meant by “ The fluid of the exchange of emotion . ” If you have ever been playing in a scene with an actor and the ...
The next item , Twenty - two , is a little subtle to go into here , but I think you actors will understand what is meant by “ The fluid of the exchange of emotion . ” If you have ever been playing in a scene with an actor and the ...
Page 98
I would hope that he meant : given all the circumstances of the particular play - which might be , for example , that the characters do not live in the Bronx , they live in 17th Century France ; that the author of the play has written ...
I would hope that he meant : given all the circumstances of the particular play - which might be , for example , that the characters do not live in the Bronx , they live in 17th Century France ; that the author of the play has written ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole