Method--or madness?: With an introd. by Harold Clurman |
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Page 30
Of course it is perfectly possible that you can mean exactly what you say: one
character may say to another, "I love you," and that may be exactly what is meant
and all that is meant: that I, this man, love you, this girl. It is explicit in the line and
...
Of course it is perfectly possible that you can mean exactly what you say: one
character may say to another, "I love you," and that may be exactly what is meant
and all that is meant: that I, this man, love you, this girl. It is explicit in the line and
...
Page 38
The next item, Twenty-two, is a little subtle to go into here, but I think you actors
will understand what is meant by "The fluid of the exchange of emotion." If you
have ever been playing in a scene with an actor and the emotion has started to
grow ...
The next item, Twenty-two, is a little subtle to go into here, but I think you actors
will understand what is meant by "The fluid of the exchange of emotion." If you
have ever been playing in a scene with an actor and the emotion has started to
grow ...
Page 98
I would hope that he meant: given all the circumstances of the particular play —
which might be, for example, that the characters do not live in the Bronx, they live
in 17th Century France; that the author of the play has written it in a certain style ...
I would hope that he meant: given all the circumstances of the particular play —
which might be, for example, that the characters do not live in the Bronx, they live
in 17th Century France; that the author of the play has written it in a certain style ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention Jeanne Eagels John Barrymore kind Laurette Taylor lecture listen look means meant ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |