Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 39
... ment ) . It is the knowledge that a certain section , a cer- tain intention is over , that the next one is beginning , and just where that point comes in the part . It doesn't always come where the dialogue seems to indicate ...
... ment ) . It is the knowledge that a certain section , a cer- tain intention is over , that the next one is beginning , and just where that point comes in the part . It doesn't always come where the dialogue seems to indicate ...
Page 73
... ment , unforgettable , with that sense of balance all great artists have . It was the one place she felt she couldn't afford to be simple , that she had to do something to drive that point about simplicity home ! The same principle ...
... ment , unforgettable , with that sense of balance all great artists have . It was the one place she felt she couldn't afford to be simple , that she had to do something to drive that point about simplicity home ! The same principle ...
Page 96
... ment for you . All I can do is to tell you what moved me about it . " I told her my story and the actress said , “ I know just what you mean , because that same thing happened to me . It was in an entirely different way , but I ...
... ment for you . All I can do is to tell you what moved me about it . " I told her my story and the actress said , “ I know just what you mean , because that same thing happened to me . It was in an entirely different way , but I ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words