Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 26
Mind is the least capricious ; Will is less capricious ; and Emotion is the most capricious . Getting frightened ? Now come the various pipes , from Eleven to Forty . Eleven to Twenty - seven all deal with the process of feeling ...
Mind is the least capricious ; Will is less capricious ; and Emotion is the most capricious . Getting frightened ? Now come the various pipes , from Eleven to Forty . Eleven to Twenty - seven all deal with the process of feeling ...
Page 29
The Mind is the easiest to control , says Stanislavski , the Will a little harder , and needs disciplining , and Emotion is the hardest of all to summon and control . For all these problems he has exercises , but here we are only going ...
The Mind is the easiest to control , says Stanislavski , the Will a little harder , and needs disciplining , and Emotion is the hardest of all to summon and control . For all these problems he has exercises , but here we are only going ...
Page 95
But I have found that if you use the mind , which includes the understanding of the whole play , the situations and the characters , and if with your will ( if you are really talking and listening ) you fully execute exciting intentions ...
But I have found that if you use the mind , which includes the understanding of the whole play , the situations and the characters , and if with your will ( if you are really talking and listening ) you fully execute exciting intentions ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole