Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 10
In any event , shortly after I went off the stage , he had a great moment . I want to tell you about it because it ... of these great moments , and I used to watch this one every night from the wings . Fedya was the character Ben - Ami ...
In any event , shortly after I went off the stage , he had a great moment . I want to tell you about it because it ... of these great moments , and I used to watch this one every night from the wings . Fedya was the character Ben - Ami ...
Page 11
I won't try to imitate either Moissi or Ben - Ami , but just for purposes of demonstration I would like at least to try to describe to you the difference in what happened at this moment in each portrayal . Moissi , as you know , had a ...
I won't try to imitate either Moissi or Ben - Ami , but just for purposes of demonstration I would like at least to try to describe to you the difference in what happened at this moment in each portrayal . Moissi , as you know , had a ...
Page 96
I knew it was going to be a difficult moment for the actress because it just so happened that there was not much preparation for it in the scene . I said to her , “ I don't know what you are going to do in this moment .
I knew it was going to be a difficult moment for the actress because it just so happened that there was not much preparation for it in the scene . I said to her , “ I don't know what you are going to do in this moment .
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole