Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 10
... moment . I want to tell you about it because it was one of the first times in my life that something happened on a stage which was memora- ble enough to stay with me my whole life . Our theatre lives are made up of these great moments ...
... moment . I want to tell you about it because it was one of the first times in my life that something happened on a stage which was memora- ble enough to stay with me my whole life . Our theatre lives are made up of these great moments ...
Page 11
... moment in each por- trayal . Moissi , as you know , had a beautiful voice . He sang well -I heard him sing - and there are many recordings of his speaking voice . Now I remember this particular moment in the Reinhardt production of The ...
... moment in each por- trayal . Moissi , as you know , had a beautiful voice . He sang well -I heard him sing - and there are many recordings of his speaking voice . Now I remember this particular moment in the Reinhardt production of The ...
Page 163
... moment , is it the truth of that situation , is it the truth of that author , and is it the truth of that particular style of production ? Those are all the truths that make up a certain moment . I said that if it is true only to you ...
... moment , is it the truth of that situation , is it the truth of that author , and is it the truth of that particular style of production ? Those are all the truths that make up a certain moment . I said that if it is true only to you ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words