Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
From inside the book
Results 1-3 of 17
Page 12
The audience never gasped in Moissi's case as they did in BenAmi's . Try to follow me through this because it leads to my ultimate points . The effect that Moissi made was stunningly “ theatrical . ” It was a real physical thrill .
The audience never gasped in Moissi's case as they did in BenAmi's . Try to follow me through this because it leads to my ultimate points . The effect that Moissi made was stunningly “ theatrical . ” It was a real physical thrill .
Page 52
He'd sit on his haunches to get comfortable ; or if he did everything else right that leg never got all the way around back again . I kept saying , “ Get the leg back ! ” I would not rest unless he did it just right .
He'd sit on his haunches to get comfortable ; or if he did everything else right that leg never got all the way around back again . I kept saying , “ Get the leg back ! ” I would not rest unless he did it just right .
Page 129
Need I stress the fact that actors who take a cut - and - dried attitude towards tempo - rhythm never can really handle verse forms ? " We are familiar with the other extreme of reading on the stage in which the verse is all but turned ...
Need I stress the fact that actors who take a cut - and - dried attitude towards tempo - rhythm never can really handle verse forms ? " We are familiar with the other extreme of reading on the stage in which the verse is all but turned ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |