Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 24
... once again becoming general or , worse , mysterious . The thought that finally determined me was , " Well , it's all published any- way , and there's nothing I'm going to say that isn't in the two books . " At least in this way I can ...
... once again becoming general or , worse , mysterious . The thought that finally determined me was , " Well , it's all published any- way , and there's nothing I'm going to say that isn't in the two books . " At least in this way I can ...
Page 52
... reminds me of Boris Aronson , the designer , who once said at my house in the country when he saw a beau- tiful tree standing near a large rock , “ Look at that tree— various memories started comi bered a lecture I'd heard about 52.
... reminds me of Boris Aronson , the designer , who once said at my house in the country when he saw a beau- tiful tree standing near a large rock , “ Look at that tree— various memories started comi bered a lecture I'd heard about 52.
Page 96
... once . I knew it was going to be a difficult moment for the actress because it just so happened that there was not much preparation for it in the scene . I said to her , " I don't know what you are going to do in this moment . You are ...
... once . I knew it was going to be a difficult moment for the actress because it just so happened that there was not much preparation for it in the scene . I said to her , " I don't know what you are going to do in this moment . You are ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words