Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 58
... performance I did something different with my hand . Suddenly I looked at it and thought , ' Oh , oh , that's wrong at this moment . I shouldn't do it , ' and it stopped me cold . It killed my sense of fun . " And he blamed his studying ...
... performance I did something different with my hand . Suddenly I looked at it and thought , ' Oh , oh , that's wrong at this moment . I shouldn't do it , ' and it stopped me cold . It killed my sense of fun . " And he blamed his studying ...
Page 110
... performance . It will also assist you in keeping up your performance . When it 110.
... performance . It will also assist you in keeping up your performance . When it 110.
Page 111
... performances . You are not start- ing to suspect him in the right place any more . You are not doing it until you face him three lines later . That little bit has somehow slipped out of your performance . And it is this successful scene ...
... performances . You are not start- ing to suspect him in the right place any more . You are not doing it until you face him three lines later . That little bit has somehow slipped out of your performance . And it is this successful scene ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words