Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
From inside the book
Results 1-3 of 14
Page 106
I suppose the director is the one person who has to sit there through it all . I'm fond of telling a story about the costume designer of Brigadoon , which I directed . The show had played New Haven and we then went on to Boston to open ...
I suppose the director is the one person who has to sit there through it all . I'm fond of telling a story about the costume designer of Brigadoon , which I directed . The show had played New Haven and we then went on to Boston to open ...
Page 119
casting the a You should look for the essential quality of the part in person to play it . This is aside from physical things . What really is going to tell the story ? If any of you are old enough to have seen Jeanne Eagels in Rain ...
casting the a You should look for the essential quality of the part in person to play it . This is aside from physical things . What really is going to tell the story ? If any of you are old enough to have seen Jeanne Eagels in Rain ...
Page 141
For the first rehearsal , I always think it is a good plan to have one person read the play to the cast . I have followed that plan wherever feasible . Of course there are certain possible pitfalls in it : if the person reading is a ...
For the first rehearsal , I always think it is a good plan to have one person read the play to the cast . I have followed that plan wherever feasible . Of course there are certain possible pitfalls in it : if the person reading is a ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole