Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 121
With an Introd. by Harold Clurman Robert Lewis. SEVENTH LECTURE MAY 27 ,
1957 THE METHOD AND “ POETIC " THEATRE SEVENTH LECTURE : The
Method and “ Poetic ” Theatre.
With an Introd. by Harold Clurman Robert Lewis. SEVENTH LECTURE MAY 27 ,
1957 THE METHOD AND “ POETIC " THEATRE SEVENTH LECTURE : The
Method and “ Poetic ” Theatre.
Page 123
SEVENTH LECTURE : The Method and “ Poetic ” Theatre I promised you that
tonight I would take up the connection the Method might have with Poetic Theatre
, Shakespeare , even musicals . First of all , let us try to arrive at some definition of
...
SEVENTH LECTURE : The Method and “ Poetic ” Theatre I promised you that
tonight I would take up the connection the Method might have with Poetic Theatre
, Shakespeare , even musicals . First of all , let us try to arrive at some definition of
...
Page 154
Nevertheless , Belinski considered her poetic . C : Granted ! But how can this
critic consider Ophelia or Desdemona poetic if he knows Cordelia ? S : Yes , but
Belinski , in comparing Ophelia and Desdemona , thinks that Desdemona mightC
...
Nevertheless , Belinski considered her poetic . C : Granted ! But how can this
critic consider Ophelia or Desdemona poetic if he knows Cordelia ? S : Yes , but
Belinski , in comparing Ophelia and Desdemona , thinks that Desdemona mightC
...
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Contents
INTRODUCTO man INTRODUCTION by Harold Clurman | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
4 other sections not shown
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able acting actors actual answer artist attitude audience beautiful become called character chart clear comes complete course create dance deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole