Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 123
... Poetic " Theatre up the con- I promised you that tonight I would take nection the Method might have with Poetic Theatre , Shake- speare , even musicals . First of all , let us try to arrive at some definition of theatre poetry . I am ...
... Poetic " Theatre up the con- I promised you that tonight I would take nection the Method might have with Poetic Theatre , Shake- speare , even musicals . First of all , let us try to arrive at some definition of theatre poetry . I am ...
Page 134
... poet , was revealed up- stairs in his room trying to write a poem while his young son was playing on the street below ... poetic play like this , one is able to drink the greatest drink in history . And we helped him in every way . First ...
... poet , was revealed up- stairs in his room trying to write a poem while his young son was playing on the street below ... poetic play like this , one is able to drink the greatest drink in history . And we helped him in every way . First ...
Page 154
... poetic . C : Granted ! But how can this critic consider Ophelia or Desdemona poetic if he knows Cordelia ? S : Yes , but Belinski , in comparing Ophelia and Desde- mona , thinks that Desdemona might— C : [ interrupting ] I think they ...
... poetic . C : Granted ! But how can this critic consider Ophelia or Desdemona poetic if he knows Cordelia ? S : Yes , but Belinski , in comparing Ophelia and Desde- mona , thinks that Desdemona might— C : [ interrupting ] I think they ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words