Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 30
Of course it is perfectly possible that you can mean exactly what you say : one character may say to another , “ I love you , ” and that may be exactly what is meant and all that is meant : that I , this you , this girl .
Of course it is perfectly possible that you can mean exactly what you say : one character may say to another , “ I love you , ” and that may be exactly what is meant and all that is meant : that I , this you , this girl .
Page 36
trying to remember how you felt , a lot of people make that mistake — it is possible that a feeling similar to what you felt at that time will recur . If it was a very strong emotion and you can bring it back successfully three times in ...
trying to remember how you felt , a lot of people make that mistake — it is possible that a feeling similar to what you felt at that time will recur . If it was a very strong emotion and you can bring it back successfully three times in ...
Page 149
And if you , the actors , as well as the director , have done the proper preparation before , you will find it is possible for you to execute all sorts of things you could never have imagined possible earlier in rehearsal .
And if you , the actors , as well as the director , have done the proper preparation before , you will find it is possible for you to execute all sorts of things you could never have imagined possible earlier in rehearsal .
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole