Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 73
... production talk , " We're production have the quality of fectly reasonable production i specific plan to do the play behi ice across the stage , to have the actors walking.
... production talk , " We're production have the quality of fectly reasonable production i specific plan to do the play behi ice across the stage , to have the actors walking.
Page 145
... production ideas , he'd e them too positively . What should be hort production talk and what you now o own in your part is what the theme of the _nd what the theme of each part in the play to contribute to that main idea . There shou e ...
... production ideas , he'd e them too positively . What should be hort production talk and what you now o own in your part is what the theme of the _nd what the theme of each part in the play to contribute to that main idea . There shou e ...
Page 152
... production by two world - famous masters , and , as such , deserves our attention here tonight in the last lecture of this series . This remarkable document is a conversation in 1909 between Stanislavski and Gordon Craig . Craig , as ...
... production by two world - famous masters , and , as such , deserves our attention here tonight in the last lecture of this series . This remarkable document is a conversation in 1909 between Stanislavski and Gordon Craig . Craig , as ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words