Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 20
It is a truly great technical feat , but she doesn't do it for that reason at all . It's done for an idea , the idea , possibly , that the court is standing on its head and everything is upside down . Then , too , her costume is made of ...
It is a truly great technical feat , but she doesn't do it for that reason at all . It's done for an idea , the idea , possibly , that the court is standing on its head and everything is upside down . Then , too , her costume is made of ...
Page 80
Whatever the reason was , I could not get them to talk or listen to each other and really play the scene in the author's words . So I said , “ Now that you know the make - up of the scene , the intentions , just get up and do it in your ...
Whatever the reason was , I could not get them to talk or listen to each other and really play the scene in the author's words . So I said , “ Now that you know the make - up of the scene , the intentions , just get up and do it in your ...
Page 149
There is no valid reason not to know what the lights will be like before you get to them , and then incorporate that knowledge in whatever it is you're working on in the scene — it is part of it ! Now we come to the last rehearsal ...
There is no valid reason not to know what the lights will be like before you get to them , and then incorporate that knowledge in whatever it is you're working on in the scene — it is part of it ! Now we come to the last rehearsal ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |