Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 9
... remember what he said , but I remember her re- plying , " Oh , that's what they call ' emotional memory , ' isn't it ? " It meant nothing to me at the time . Later I realized that what they were referring to was a Stanislavski term ...
... remember what he said , but I remember her re- plying , " Oh , that's what they call ' emotional memory , ' isn't it ? " It meant nothing to me at the time . Later I realized that what they were referring to was a Stanislavski term ...
Page 24
... remember this : I am not teaching the Method here by doing this— it cannot be done that way . I am simply going to read the chart and try to explain the content for you as I understand it for the purpose of making my points later on . I ...
... remember this : I am not teaching the Method here by doing this— it cannot be done that way . I am simply going to read the chart and try to explain the content for you as I understand it for the purpose of making my points later on . I ...
Page 72
... part . I sat stunned a good deal of the time as I listened to her describing in minute detail the exact physical patterns she planned for herself in a part . I re- 72 acting . I remember that sne stood the entire time.
... part . I sat stunned a good deal of the time as I listened to her describing in minute detail the exact physical patterns she planned for herself in a part . I re- 72 acting . I remember that sne stood the entire time.
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words