Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 42
... rhythm . " That's a tough one and I wish you would read about it in Stanislavski's books . " Tempo , " of course , means fast or slow , and " rhythm " means the inner beat . This combination - term , Tempo- rhythm , refers to something ...
... rhythm . " That's a tough one and I wish you would read about it in Stanislavski's books . " Tempo , " of course , means fast or slow , and " rhythm " means the inner beat . This combination - term , Tempo- rhythm , refers to something ...
Page 61
... rhythm re an irresistible effect . Art requir cision and finish . Even in cases to convey a rhythmic effect musi clear - cut finish . Even chaos and d rhythm . " What I have just said in reg is equally applicable to us dram however , a ...
... rhythm re an irresistible effect . Art requir cision and finish . Even in cases to convey a rhythmic effect musi clear - cut finish . Even chaos and d rhythm . " What I have just said in reg is equally applicable to us dram however , a ...
Page 62
... rhythm of speech facili- tates rhythmic sensibility and the opposite is also true : the rhythm of sensations experienced helps to produce clear speech . Of course , all this occurs in the cases where pre- cision of speech is thoroughly ...
... rhythm of speech facili- tates rhythmic sensibility and the opposite is also true : the rhythm of sensations experienced helps to produce clear speech . Of course , all this occurs in the cases where pre- cision of speech is thoroughly ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words