Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
From inside the book
Results 1-3 of 48
Page 78
... scenes in studio classes . It is inevitable that you will choose an exciting scene to do and not a dreary scene where nothing much happens . You're not going to take the trouble to meet with someone and rehearse for hours on a scene ...
... scenes in studio classes . It is inevitable that you will choose an exciting scene to do and not a dreary scene where nothing much happens . You're not going to take the trouble to meet with someone and rehearse for hours on a scene ...
Page 106
... scene and then there was a walk - over scene in front of the curtain in which the " merry villagers " come on waking up after hav- ing been asleep for a hundred years . As they came across the stage , the crew was setting up the next ...
... scene and then there was a walk - over scene in front of the curtain in which the " merry villagers " come on waking up after hav- ing been asleep for a hundred years . As they came across the stage , the crew was setting up the next ...
Page 148
... scene or a section of it and have the actors involved do the scene in the chairs so that they get that wonderful connection again which they have lost a bit through having to get their positions . Then , as soon as they've got that ...
... scene or a section of it and have the actors involved do the scene in the chairs so that they get that wonderful connection again which they have lost a bit through having to get their positions . Then , as soon as they've got that ...
Other editions - View all
Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words