Method--or madness?: With an introd. by Harold Clurman |
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Page 42
Just as our "feeling" affects the tempo and rhythm of our delivery, so our sense of
external tempo and rhythm connects with our emotion. Acting training should
include the development of our sense of time and sense of rhythm. It gets pretty ...
Just as our "feeling" affects the tempo and rhythm of our delivery, so our sense of
external tempo and rhythm connects with our emotion. Acting training should
include the development of our sense of time and sense of rhythm. It gets pretty ...
Page 105
As far as we are here concerned, in a definition of an artist, I would like to add (
after conceding the sense of truth which I think we've belabored enough) the
following three aspects.OFirst, a sense of the whole— -as_a painter sees the
whole ...
As far as we are here concerned, in a definition of an artist, I would like to add (
after conceding the sense of truth which I think we've belabored enough) the
following three aspects.OFirst, a sense of the whole— -as_a painter sees the
whole ...
Page 108
Then there is the sense of balance in the problem of form. All the great artists I've
witnessed in any field have had this sense of balance. They were great
equalizers. They saw all around a problem, not just one side of it. I am reminded
of the ...
Then there is the sense of balance in the problem of form. All the great artists I've
witnessed in any field have had this sense of balance. They were great
equalizers. They saw all around a problem, not just one side of it. I am reminded
of the ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention Jeanne Eagels John Barrymore kind Laurette Taylor lecture listen look means meant ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |