Method--or Madness?: With an Introd. by Harold Clurman |
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Page 42
Just as our “ feeling ” affects the tempo and rhythm of our delivery , so our sense
of external tempo and rhythm connects with our emotion . Acting training should
include the development of our sense of time and sense of rhythm . It gets pretty ...
Just as our “ feeling ” affects the tempo and rhythm of our delivery , so our sense
of external tempo and rhythm connects with our emotion . Acting training should
include the development of our sense of time and sense of rhythm . It gets pretty ...
Page 105
As far as we are here concerned , in a definition of an artist , I would like to add (
after conceding the sense of truth which I think we ' ve belabored enough ) the
following three aspects . First , a sense of the whole — as a painter sees the
whole ...
As far as we are here concerned , in a definition of an artist , I would like to add (
after conceding the sense of truth which I think we ' ve belabored enough ) the
following three aspects . First , a sense of the whole — as a painter sees the
whole ...
Page 108
Then there is the sense of balance in the problem of form . All the great artists I '
ve witnessed in any field have had this sense of balance . They were great
equalizers . They saw all around a problem , not just one side of it . I am
reminded of ...
Then there is the sense of balance in the problem of form . All the great artists I '
ve witnessed in any field have had this sense of balance . They were great
equalizers . They saw all around a problem , not just one side of it . I am
reminded of ...
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Contents
INTRODUCTO man INTRODUCTION by Harold Clurman | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create dance dancer deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |