Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
From inside the book
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Page 24
... simply going to read the chart and try to explain the content for you as I understand it for the purpose of making my points later on . I don't want anyone hearing these talks to go out and say they studied the Method with Bobby Lewis ...
... simply going to read the chart and try to explain the content for you as I understand it for the purpose of making my points later on . I don't want anyone hearing these talks to go out and say they studied the Method with Bobby Lewis ...
Page 54
... simply trying to put down something which is based on the laws of creation . " He religiously studied those laws in his own work and in the performances of great actors . Still , he was very reluctant to publish his books on his Method ...
... simply trying to put down something which is based on the laws of creation . " He religiously studied those laws in his own work and in the performances of great actors . Still , he was very reluctant to publish his books on his Method ...
Page 94
... simply talk and listen . The director , if he's present , may give you a few hints to help . Although auditioning is never an ideal situation in our theatre , an intelligent actor can give some inkling of what is needed to be known by ...
... simply talk and listen . The director , if he's present , may give you a few hints to help . Although auditioning is never an ideal situation in our theatre , an intelligent actor can give some inkling of what is needed to be known by ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words