Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 14
... sing with his method . She was born in Paris . Pauline Viardot taught Félia Litvinne the Garcia method of singing . Litvinne was born in St. Petersburg . Félia Litvinne taught Nina Koshetz to sing . She was born in Kiev . Nina Koshetz ...
... sing with his method . She was born in Paris . Pauline Viardot taught Félia Litvinne the Garcia method of singing . Litvinne was born in St. Petersburg . Félia Litvinne taught Nina Koshetz to sing . She was born in Kiev . Nina Koshetz ...
Page 63
... sing if you have real f voice , your production . Yet the in history were all " true feelers . " liapin was a mountain of feeling . Christoff ... singing . The whole p sound do you want to make : do yo even , empty sound ; or do you want to.
... sing if you have real f voice , your production . Yet the in history were all " true feelers . " liapin was a mountain of feeling . Christoff ... singing . The whole p sound do you want to make : do yo even , empty sound ; or do you want to.
Page 131
... singing . Since singing raises you to a point of general feeling by itself , you may lose some of the specifics you have worked for so far . But , you are compensated in another way since singing adds an emotional intensity to what you ...
... singing . Since singing raises you to a point of general feeling by itself , you may lose some of the specifics you have worked for so far . But , you are compensated in another way since singing adds an emotional intensity to what you ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words