Method--or Madness?: With an Introd. by Harold Clurman |
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Page 35
It is the grist for the mill of the creative artist . A writer , painter , or composer is fed
by this all the time . But an actor has to appear on the stage himself and at a
specific time has to feel a certain way . Very often that little old emotion just doesn
...
It is the grist for the mill of the creative artist . A writer , painter , or composer is fed
by this all the time . But an actor has to appear on the stage himself and at a
specific time has to feel a certain way . Very often that little old emotion just doesn
...
Page 52
To test myself as to how technique has served me as I direct , I tried this week to
think of specific moments when I had to have a certain effect ; times when , as an
artist , I was obsessed with a moment and it had to be done a specific way .
To test myself as to how technique has served me as I direct , I tried this week to
think of specific moments when I had to have a certain effect ; times when , as an
artist , I was obsessed with a moment and it had to be done a specific way .
Page 146
For example , on this specific line you first realize she may be lying to you and
seven speeches further , on exactly that line , you know you are mistaken , that it
couldn ' t be , not a nice girl like her , and a new intention starts . Through that ...
For example , on this specific line you first realize she may be lying to you and
seven speeches further , on exactly that line , you know you are mistaken , that it
couldn ' t be , not a nice girl like her , and a new intention starts . Through that ...
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Contents
INTRODUCTO man INTRODUCTION by Harold Clurman | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create dance dancer deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |