Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
From inside the book
Results 1-3 of 14
Page 37
... specific time has to feel a that little old emotion just does especially if it's a deep feeling no goings - on of the moment . Stanisla be a way in which it could be sur cases . He worked out an exercise for this purpose . The theory is ...
... specific time has to feel a that little old emotion just does especially if it's a deep feeling no goings - on of the moment . Stanisla be a way in which it could be sur cases . He worked out an exercise for this purpose . The theory is ...
Page 52
... specific moments when I had to have a certain effect ; times when , as an artist , I was obsessed with a moment and it had to be done a specific way . I remembered , for example , a scene in The Teahouse of the August Moon when David ...
... specific moments when I had to have a certain effect ; times when , as an artist , I was obsessed with a moment and it had to be done a specific way . I remembered , for example , a scene in The Teahouse of the August Moon when David ...
Page 146
... specific line you first realize she may be lying to you and seven speeches further , on ex- actly that line , you know you are mistaken , that it couldn't be , not a nice girl like her , and a new intention starts . Through that whole ...
... specific line you first realize she may be lying to you and seven speeches further , on ex- actly that line , you know you are mistaken , that it couldn't be , not a nice girl like her , and a new intention starts . Through that whole ...
Other editions - View all
Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words