Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 58
... I said , “ Not only are you not supposed to stop and think of your technique in a farce , you are not supposed to do it in a tragedy either ! You work out your part and then you play it ! It is two different things !
... I said , “ Not only are you not supposed to stop and think of your technique in a farce , you are not supposed to do it in a tragedy either ! You work out your part and then you play it ! It is two different things !
Page 93
But don't tell me what I'm supposed to be thinking because that's as if I had to play two parts at once and I just can't do it ! ” In this case , the famous actor was using his concentration and energy for for the least important ...
But don't tell me what I'm supposed to be thinking because that's as if I had to play two parts at once and I just can't do it ! ” In this case , the famous actor was using his concentration and energy for for the least important ...
Page 131
If you can , it prevents the terrible disaster of the usual opera acting : that the higher and louder you sing the more “ noble ” you feel — often the exact opposite of what you are supposed to be experiencing .
If you can , it prevents the terrible disaster of the usual opera acting : that the higher and louder you sing the more “ noble ” you feel — often the exact opposite of what you are supposed to be experiencing .
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |