Method--or Madness?: With an Introd. by Harold Clurman |
From inside the book
Results 1-3 of 8
Page 58
Well , ” I said , “ Not only are you not supposed to stop and think of your technique
in a farce , you are not supposed to do it in a tragedy either ! You work out your
part and then you play it ! It is two different things ! When you are in Carnegie ...
Well , ” I said , “ Not only are you not supposed to stop and think of your technique
in a farce , you are not supposed to do it in a tragedy either ! You work out your
part and then you play it ! It is two different things ! When you are in Carnegie ...
Page 93
But don ' t tell me what I ' m supposed to be thinking because that ' s as if I had to
play two parts at once and I just can ' t do it ! ” In this case , the famous actor was
using his concentration and energy for the least important purpose in acting ...
But don ' t tell me what I ' m supposed to be thinking because that ' s as if I had to
play two parts at once and I just can ' t do it ! ” In this case , the famous actor was
using his concentration and energy for the least important purpose in acting ...
Page 131
If you can , it prevents the terrible disaster of the usual opera acting : that the
higher and louder you sing the more “ noble ” you feel - often the exact opposite
of what you are supposed to be experiencing . If you have ever sung you know
how ...
If you can , it prevents the terrible disaster of the usual opera acting : that the
higher and louder you sing the more “ noble ” you feel - often the exact opposite
of what you are supposed to be experiencing . If you have ever sung you know
how ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
INTRODUCTO man INTRODUCTION by Harold Clurman | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create dance dancer deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |