Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 6
... technical plane with a cool examina- tion of the subject . Of course , before I finish I may get killed in the crossfire ! Now , I personally read every letter of application for admission to this series , some five thousand of them ...
... technical plane with a cool examina- tion of the subject . Of course , before I finish I may get killed in the crossfire ! Now , I personally read every letter of application for admission to this series , some five thousand of them ...
Page 19
... technical knowledge of k him make that modulation . However or a composer in the first place , techr will not make him one . There is no do everything right , according to an will be acceptable art . There are so nical experts in acting ...
... technical knowledge of k him make that modulation . However or a composer in the first place , techr will not make him one . There is no do everything right , according to an will be acceptable art . There are so nical experts in acting ...
Page 51
... technical formulation in my mind ? I don't think so . The technical knowledge must be in me ; but a kind of automatic process goes on as you create ; your " motor " is being fed by your technique 51 THIRD LECTURE: Some Attitudes toward ...
... technical formulation in my mind ? I don't think so . The technical knowledge must be in me ; but a kind of automatic process goes on as you create ; your " motor " is being fed by your technique 51 THIRD LECTURE: Some Attitudes toward ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words