Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 12
... tell me for a long time . Finally he explained , " Well , you'll laugh , but I'll tell you . I didn't know how to do it when I first came to rehearse it because -well , let's face it , I've never committed suicide ! So I said to myself ...
... tell me for a long time . Finally he explained , " Well , you'll laugh , but I'll tell you . I didn't know how to do it when I first came to rehearse it because -well , let's face it , I've never committed suicide ! So I said to myself ...
Page 16
... tell you about it — we're mixed up enough already ! However , Brecht's company has only recently made a wonderfully interesting impression , using the theories of Mr. Brecht , in their sea- son in London . Then there is a system of ...
... tell you about it — we're mixed up enough already ! However , Brecht's company has only recently made a wonderfully interesting impression , using the theories of Mr. Brecht , in their sea- son in London . Then there is a system of ...
Page 94
... tell a good deal by an interview , but a reading might reveal something you can't be sure of just by meeting the actor . It is possible to pick up a part and , without extensive preparation , give an adequate reading . Sometimes , even ...
... tell a good deal by an interview , but a reading might reveal something you can't be sure of just by meeting the actor . It is possible to pick up a part and , without extensive preparation , give an adequate reading . Sometimes , even ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words