Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 12
He wouldn't tell me for a long time . Finally he explained , “ Well , you'll laugh , but I'll tell you . I didn't know how to do it when I first came to rehearse it because -well , let's face it , I've never committed suicide !
He wouldn't tell me for a long time . Finally he explained , “ Well , you'll laugh , but I'll tell you . I didn't know how to do it when I first came to rehearse it because -well , let's face it , I've never committed suicide !
Page 16
That's all I'm going to tell you about it - we're mixed up enough already ! However , Brecht's company has only recently made a wonderfully interesting impression , using the theories of Mr. Brecht , in their season in London .
That's all I'm going to tell you about it - we're mixed up enough already ! However , Brecht's company has only recently made a wonderfully interesting impression , using the theories of Mr. Brecht , in their season in London .
Page 23
Tonight I am going to try to tell you the elements that make up the Stanislavski system . Although I have studied the system and read most of the books on it over the years , my most direct connection with the words of the Master ...
Tonight I am going to try to tell you the elements that make up the Stanislavski system . Although I have studied the system and read most of the books on it over the years , my most direct connection with the words of the Master ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole