Method--or madness?: With an introd. by Harold Clurman |
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Page 12
He wouldn't tell me for a long time. Finally he explained, "Well, you'll laugh, but I'll
tell you. I didn't know how to do it when I first came to rehearse it because — well,
let's face it, I've never committed suicide! So I said to myself, 'What must ...
He wouldn't tell me for a long time. Finally he explained, "Well, you'll laugh, but I'll
tell you. I didn't know how to do it when I first came to rehearse it because — well,
let's face it, I've never committed suicide! So I said to myself, 'What must ...
Page 16
That's all I'm going to tell you about it — we're mixed up enough already!
However, Brecht's company has only recently made a wonderfully interesting
impression, using the theories of Mr. Brecht, in their season in London. Then
there is a ...
That's all I'm going to tell you about it — we're mixed up enough already!
However, Brecht's company has only recently made a wonderfully interesting
impression, using the theories of Mr. Brecht, in their season in London. Then
there is a ...
Page 23
Tonight I am going to try to tell you the elements that make up the Stanislavski
system. Although I have studied the system and read most of the books on it over
the years, my most direct connection with the words of the Master himself came in
...
Tonight I am going to try to tell you the elements that make up the Stanislavski
system. Although I have studied the system and read most of the books on it over
the years, my most direct connection with the words of the Master himself came in
...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention Jeanne Eagels John Barrymore kind Laurette Taylor lecture listen look means meant ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |