Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 18
That does not mean that the first need be , or should be , “ psychological ” ( almost used as a synonym for " introverted ” in theatre discussions these days ) ; and that the second is " theatrical , ” and “ you takes your choice .
That does not mean that the first need be , or should be , “ psychological ” ( almost used as a synonym for " introverted ” in theatre discussions these days ) ; and that the second is " theatrical , ” and “ you takes your choice .
Page 39
line , or the biting of the back of the hand for “ terror , " etc. , are obvious physical clichés ; our theatre is riddled with them . We have almost as many conventions as the Oriental theatre , in a way : the turning upstage with the ...
line , or the biting of the back of the hand for “ terror , " etc. , are obvious physical clichés ; our theatre is riddled with them . We have almost as many conventions as the Oriental theatre , in a way : the turning upstage with the ...
Page 123
SEVENTH LECTURE : The Method and “ Poetic ” Theatre the conI promised you that tonight I would take up nection the Method might have with Poetic Theatre , Shake speare , even musicals . First of all , let us try to arrive at some ...
SEVENTH LECTURE : The Method and “ Poetic ” Theatre the conI promised you that tonight I would take up nection the Method might have with Poetic Theatre , Shake speare , even musicals . First of all , let us try to arrive at some ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole