Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 6
... tion of the subject . Of course , before I finish I may get killed in the crossfire ! Now , I personally read every letter of application for admission to this series , some five thousand of them , be- cause I was interested in knowing ...
... tion of the subject . Of course , before I finish I may get killed in the crossfire ! Now , I personally read every letter of application for admission to this series , some five thousand of them , be- cause I was interested in knowing ...
Page 26
... tion of life , nature , or true feeling , with the help of con- scious technique ( beats ) which arouses the subconscious ; " Five " The creation on the stage of the life of our Soul ( this is the purpose of our art - not the life of ...
... tion of life , nature , or true feeling , with the help of con- scious technique ( beats ) which arouses the subconscious ; " Five " The creation on the stage of the life of our Soul ( this is the purpose of our art - not the life of ...
Page 38
... tion and you can bring it back successfully three times in a row , it is quite possible you have something that will work for you for a long time . The exercise gets simpler as you do it over and again ; and , finally , you only need ...
... tion and you can bring it back successfully three times in a row , it is quite possible you have something that will work for you for a long time . The exercise gets simpler as you do it over and again ; and , finally , you only need ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words