Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 87
... truth ? Now this is a hot subject . Naturally , I mean what is truth in acting . If you remember , when I promised in the first talk to get to this point , I said I felt there were more ... truth 87 FIFTH LECTURE: “Truth” in Acting ...
... truth ? Now this is a hot subject . Naturally , I mean what is truth in acting . If you remember , when I promised in the first talk to get to this point , I said I felt there were more ... truth 87 FIFTH LECTURE: “Truth” in Acting ...
Page 88
... truth that represents the com- fort of the particular actor involved ; that is , the truth near- est to his own particular psychology ? Is that all that is meant by it ? If so , isn't that truth just a partial truth ? And how true is a ...
... truth that represents the com- fort of the particular actor involved ; that is , the truth near- est to his own particular psychology ? Is that all that is meant by it ? If so , isn't that truth just a partial truth ? And how true is a ...
Page 163
... truth " and asked whether the people who are always speaking of " living their part " are really living the part or really living themselves and adding the author's words to that life . And , while I came out " in favor of " truth , I ...
... truth " and asked whether the people who are always speaking of " living their part " are really living the part or really living themselves and adding the author's words to that life . And , while I came out " in favor of " truth , I ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words