Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 40
... understanding English might think I was describing an accident . I was " despairing " at how great an artist can be ... understand what is meant by " The fluid of the exchange of emotion . " If you have ever been playing in a scene with ...
... understanding English might think I was describing an accident . I was " despairing " at how great an artist can be ... understand what is meant by " The fluid of the exchange of emotion . " If you have ever been playing in a scene with ...
Page 95
... understanding of the whole play , the situations and the characters , and if with your will ( if you are really ... understand by it since it itself doesn't seem to generate my motor emotionally ? ” I have this problem all the time ...
... understanding of the whole play , the situations and the characters , and if with your will ( if you are really ... understand by it since it itself doesn't seem to generate my motor emotionally ? ” I have this problem all the time ...
Page 117
... understand- ing of the woman was complete , her understanding of the play was complete , exactly who all these other people were that she was talking to was fully understood at all times , and what she had to accomplish in each scene ...
... understand- ing of the woman was complete , her understanding of the play was complete , exactly who all these other people were that she was talking to was fully understood at all times , and what she had to accomplish in each scene ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words