Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 5
And he's the fellow who said , “ The three requisites to play a great tragic rôle are voice , voice - and more voice . ” George Henry Lewes , the eminent English critic , who saw Salvini toward the end of his career in Othello ...
And he's the fellow who said , “ The three requisites to play a great tragic rôle are voice , voice - and more voice . ” George Henry Lewes , the eminent English critic , who saw Salvini toward the end of his career in Othello ...
Page 43
Thirty— “ Placement of voice . ” You see Stanislavski cared about these things . Voice placement is extremely important . It is a great irritant , both to artist and public , if the voice is placed badly .
Thirty— “ Placement of voice . ” You see Stanislavski cared about these things . Voice placement is extremely important . It is a great irritant , both to artist and public , if the voice is placed badly .
Page 84
What really is a beautiful voice ? Is it a pretty sound with good diction and emptiness inside ? No. I think Laurette Taylor had a beautiful voice ( I have a phonograph record of her , too , to prove it ) . It was a very lovely and easy ...
What really is a beautiful voice ? Is it a pretty sound with good diction and emptiness inside ? No. I think Laurette Taylor had a beautiful voice ( I have a phonograph record of her , too , to prove it ) . It was a very lovely and easy ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole