Method--or madness?: With an introd. by Harold Clurman |
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Page 45
Number Forty, the last item devoted to these means of expression is "The Way of
Walking." Of course it could refer to various characteristic ways of walking, such
as limping, or being bandylegged or pigeon-toed, etc. But I think he means ...
Number Forty, the last item devoted to these means of expression is "The Way of
Walking." Of course it could refer to various characteristic ways of walking, such
as limping, or being bandylegged or pigeon-toed, etc. But I think he means ...
Page 46
into, you can see it is interesting to try to find some way to get back to walking
simply and beautifully on the stage. Of course then, if you want to add some
characteristic element of walking, you have your basis. Two terms that are still
undefined ...
into, you can see it is interesting to try to find some way to get back to walking
simply and beautifully on the stage. Of course then, if you want to add some
characteristic element of walking, you have your basis. Two terms that are still
undefined ...
Page 74
ice across the stage, to have the actors walking around as though they were in a
fog, for the actors to "think foggily," or something, it remains so much talk. Those
artists, then, who make a fetish of the Method, should know that what is good in ...
ice across the stage, to have the actors walking around as though they were in a
fog, for the actors to "think foggily," or something, it remains so much talk. Those
artists, then, who make a fetish of the Method, should know that what is good in ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention Jeanne Eagels John Barrymore kind Laurette Taylor lecture listen look means meant ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |