Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 45
Number Forty , the last item devoted to these means of expression is “ The Way of Walking . ” Of course it could refer to various characteristic ways of walking , such as limping , or being bandylegged or pigeon - toed , etc.
Number Forty , the last item devoted to these means of expression is “ The Way of Walking . ” Of course it could refer to various characteristic ways of walking , such as limping , or being bandylegged or pigeon - toed , etc.
Page 46
into , you can see it is interesting to try to find some way to get back to walking simply and beautifully on the stage . Of course then , if you want to add some characteristic element of walking , you have your basis .
into , you can see it is interesting to try to find some way to get back to walking simply and beautifully on the stage . Of course then , if you want to add some characteristic element of walking , you have your basis .
Page 74
ice across the stage , to have the actors walking around as though they were in a fog , for the actors to " think foggily , ” or something , it remains so much talk . Those artists , then , who make a fetish of the Method , should know ...
ice across the stage , to have the actors walking around as though they were in a fog , for the actors to " think foggily , ” or something , it remains so much talk . Those artists , then , who make a fetish of the Method , should know ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole