Method--or Madness?: With an Introd. by Harold Clurman |
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Page 45
Number Forty , the last item devoted to these means of expression is “ The Way of
Walking . ” Of course it could refer to various characteristic ways of walking , such
as limping , or being bandylegged or pigeon - toed , etc . But I think he means ...
Number Forty , the last item devoted to these means of expression is “ The Way of
Walking . ” Of course it could refer to various characteristic ways of walking , such
as limping , or being bandylegged or pigeon - toed , etc . But I think he means ...
Page 46
into , you can see it is interesting to try to find some way to get back to walking
simply and beautifully on the stage . Of course then , if you want to add some
characteristic element of walking , you have your basis . Two terms that are still ...
into , you can see it is interesting to try to find some way to get back to walking
simply and beautifully on the stage . Of course then , if you want to add some
characteristic element of walking , you have your basis . Two terms that are still ...
Page 74
ice across the stage , to have the actors walking around as though they were in a
fog , for the actors to “ think foggily , " or something , it remains so much talk .
Those artists , then , who make a fetish of the Method , should know that what is ...
ice across the stage , to have the actors walking around as though they were in a
fog , for the actors to “ think foggily , " or something , it remains so much talk .
Those artists , then , who make a fetish of the Method , should know that what is ...
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Contents
INTRODUCTO man INTRODUCTION by Harold Clurman | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create dance dancer deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |