Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 23
With an Introd. by Harold Clurman Robert Lewis. As I said last week , we have t meant by " The Method " is the S some ... weeks with him Miss Adler copied out a complete c ments of his system . The material cussed in detail in his books ...
With an Introd. by Harold Clurman Robert Lewis. As I said last week , we have t meant by " The Method " is the S some ... weeks with him Miss Adler copied out a complete c ments of his system . The material cussed in detail in his books ...
Page 67
... weeks we have talked a good deal about " Method . " Now tonight - let's talk a little about " Madness " ! For example , as we ended last week we were talking about people who think a beautiful voice or good diction cannot be achieved if ...
... weeks we have talked a good deal about " Method . " Now tonight - let's talk a little about " Madness " ! For example , as we ended last week we were talking about people who think a beautiful voice or good diction cannot be achieved if ...
Page 151
... weeks , two , or one - on the inner problems because you know you are going to accomplish the physical staging comparatively quickly . If , on the other hand , you are faced ... week . It is so hilarious that I wanted you to hear it . 151.
... weeks , two , or one - on the inner problems because you know you are going to accomplish the physical staging comparatively quickly . If , on the other hand , you are faced ... week . It is so hilarious that I wanted you to hear it . 151.
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words