Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 30
... words . You might hear one character sneer the words , " I love you . " It's perfectly clear that he is trying to let the other one know that he despises her , yet he's using the very same words . His intention , therefore is quite ...
... words . You might hear one character sneer the words , " I love you . " It's perfectly clear that he is trying to let the other one know that he despises her , yet he's using the very same words . His intention , therefore is quite ...
Page 60
... words , a suitable poem , I believe . He eventually worked up a beautiful , lyrical scene . My mind leaps from that étude to the results which so many now think derive from any contact with the Method : the old " mumbling , but with ...
... words , a suitable poem , I believe . He eventually worked up a beautiful , lyrical scene . My mind leaps from that étude to the results which so many now think derive from any contact with the Method : the old " mumbling , but with ...
Page 93
... words into groups ( or speech measures ) and they divide the groups from one another . Do you real- ize that a man's fate , and even his very life may depend on the position of that pause ? Take the words : ' Pardon im- possible send to ...
... words into groups ( or speech measures ) and they divide the groups from one another . Do you real- ize that a man's fate , and even his very life may depend on the position of that pause ? Take the words : ' Pardon im- possible send to ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words